If you sing at weddings and events, your microphone is as important as your voice. It affects how clearly you’re heard over chatter, how warm or bright you sound, and how much you fight feedback in boomy marquees or echoey barns.

Below are five tried-and-tested vocal mics that work brilliantly for wedding and event singers, from classic wired options to a modern wireless system. For each one you’ll find:

• What kind of singer/setting it suits

• Pros and cons

• A link to buy

• A YouTube review or demo you can embed in your blog

Note: Prices and availability change, so always double-check current pricing.

1. Shure SM58 – The Industry Standard Workhorse

If you’ve ever sung into a microphone, there’s a good chance it was an SM58. It’s a cardioid dynamic mic designed specifically for live vocals and is still the go-to choice on stages worldwide.

Why wedding singers love it

• Rugged & reliable – It can handle drops, rain at an outdoor drinks reception, and being thrown in a gig bag.

• Forgiving sound – Warm and slightly rolled-off at the top, which flatters a lot of voices and tames harshness.

• Great rejection – The cardioid pattern helps cut down on room noise and feedback from speakers.

Pros

• Almost indestructible – perfect for busy weekend warriors

• Familiar sound for engineers and DJs

• Widely available and easy to replace or hire

Cons

• Not the most detailed or “hi-fi” vocal sound

• You may need a decent preamp if your mixer/interface has weak gain

Where to buy (example links)

• Shure UK Product Page: Shure SM58 – Vocal Microphone Shure

• UK retailer: Shure SM58 – Soundpad soundpad.co.uk

A nice current take is:
“Is the Shure SM58 Still RELEVANT in 2025? My Honest Review”

2. Sennheiser e935 – The Clear, Modern All-Rounder

If you like the idea of an SM58 but want a little more clarity and cut, the Sennheiser e935 is a fantastic alternative. It’s a cardioid dynamic mic designed to help vocals sit clearly in a loud mix. 

Why it works so well for events

• Natural, present tone – Great if you want your voice to feel more “forward” without being harsh.

• Handles loud stages – Good for band gigs as well as small acoustic sets.

• Very solid build – Full metal housing, built for touring life.

Pros

• Clear, articulate sound that flatters many pop/soul voices

• Excellent feedback rejection and off-axis control

• Feels premium in the hand – nice for those “no stand” moments with a roaming singer

Cons

• Slightly brighter than an SM58 – great for many voices, but can be unforgiving if you’re very sibilant

• More expensive than budget dynamics

Where to buy (example links)

• Sennheiser e935 at Andertons: Dynamic Vocal Microphone Andertons

• Alternative retailer: Sennheiser e935 – Amazon UK Amazon

A useful listen for singers:
“Sennheiser e935 Review – The BEST Live Mic Under $250?”

3. Shure Beta 87A – For Studio-Style Detail on Stage

If your gigs are mainly acoustic weddings, ceremonies, hotel lounges or church services where stage volume is low, a handheld condenser can sound gorgeous. The Shure Beta 87A is a supercardioid condenser that brings a very detailed, “studio” character to live vocals.

Why it’s great for wedding singers

• Smooth, airy top end – Brilliant for jazz, soulful pop and controlled singers.

• Supercardioid pattern – Tight pickup area helps with feedback and isolates your voice.

• Professional feel – It immediately sounds more “hi-fi” than most dynamics.

Pros

• Extremely detailed and flattering on good technique

• Excellent for ceremony vocals, where every lyric needs to be clear

• Great pairing with high-quality PA systems

  Related Products

  

  Never Too Much by Luther Vandross (ballad version)

  Acoustic Backs And Tracks

  £3.99

  

  Remember by Becky Hill and David Guetta

  Acoustic Backs And Tracks

  £2.99

  

  Rockabye by Clean Bandit

  Acoustic Backs And Tracks

  £2.99

  

  You're The Best Thing by The Style Council (first dance version)

  Acoustic Backs And Tracks

  £3.99

  

  I Can't Go For That by Hall & Oats

  Acoustic Backs And Tracks

  £2.99

  

  Daniel by Elton John

  Acoustic Backs And Tracks

  £2.99

Cons

• Requires phantom power, so your mixer must support it

• More sensitive to handling noise and plosives – you need decent mic technique

• Pricier than entry-level dynamics

Where to buy (example links)

• Shure Beta 87A at Leisuretec: Beta 87A Vocal Condenser Mic Leisuretec Distribution Ltd

• Shure Beta 87A at Bonners: Shure Beta 87A Microphone Bonners Music

Shure’s own overview is handy:
“Shure BETA 87A Vocal Microphone – Product Overview”

4. AKG D5 – The Budget Hero with Extra Cut

If you’re building your kit on a budget but still want a strong, professional sound, the AKG D5 is a brilliant option. It’s a supercardioid dynamic vocal mic that offers lots of gain before feedback and a crisp, cutting tone.

Why it’s useful for working singers

• Great value – Often significantly cheaper than an SM58 in the UK.

• Supercardioid pattern – Tighter pickup helps in tricky rooms with speakers close by.

• Punchy sound – Works well for pop/rock and powerful belters who need presence.

Pros

• Budget-friendly but still feels “pro”

• High feedback resistance – ideal for noisy receptions and small stages

• Rugged metal body and integrated pop filter

Cons

• Narrower pickup means you need to stay “on mic” – less forgiving if you move around a lot

• Bright top end can be a bit aggressive on some voices

Where to buy (example links)

• AKG D5 at Studiocare: Vocal Dynamic Microphone Studiocare

• AKG D5 at AKG UK (official): D5 – Professional Dynamic Vocal Microphone uk.akg.com

A clear, vocal-focused demo:
“AKG D5 Vocal Dynamic Mic Review / Test”

5. Sennheiser EW-D 835-S – A Modern Wireless System for Mobile Singers

For many wedding and event singers, wireless is a game-changer: you can move around tables, lead sing-alongs and work the room without tripping over cables. The Sennheiser EW-D 835-S is a digital wireless handheld set built around Sennheiser’s popular e835 capsule. 

Why it’s ideal for events

• Digital clarity – Very clean, low-noise sound with high dynamic range.

• Smart app control – The EW-D Smart Assist app helps with setup and frequency management.

• Reliable RF performance – Designed to cope with challenging wireless environments.

Pros

• Freedom to move and interact with guests – perfect for roaming sets and first-dance moments

• Great vocal quality thanks to the e835 capsule

• Long battery life and robust handheld transmitter

Cons

• Considerably more expensive than a wired mic

• Wireless systems require more setup knowledge (frequencies, batteries, line-of-sight)

• Overkill if you mostly stand in one place behind a mic stand

Where to buy (example links)

• EW-D 835-S at DM Music: Sennheiser EW-D 835-S Vocal Set DM Music Ltd

• EW-D 835-S at Thomann: Sennheiser EW-D 835-S Q1-6 thomann.co.uk

A helpful real-world perspective:
“Budget Wireless Mic for Churches | Sennheiser EW-D Review”

How to Choose the Right Mic for You

A quick way to decide:

• On a budget & just starting out?
  - Start with an AKG D5 or Shure SM58.

• Singing in bands and busy receptions and want more clarity?
  - Look at the Sennheiser e935.

• Doing lots of intimate ceremonies, hotel lounges or church gigs with good PAs?
  - Consider the Shure Beta 87A for extra detail.

• Want to roam the room and work the crowd?
  - Invest in a Sennheiser EW-D 835-S or another quality wireless system.

Whichever mic you choose, pair it with good gain staging, sensible EQ, and solid mic technique, and your voice will carry beautifully through every “I do”, first dance and end-of-night sing-along.